Attraction · Fuzhou Wuta (Black Pagoda) · Baita (White Pagoda)

Wuta (Black Pagoda) · Baita (White Pagoda)

The Tang-era "Jingguang Pagoda" (Wuta, stone octagonal seven-story) and Dingguang Pagoda (Baita, brick-built), Fuzhou's "Two Pagodas" landmarks facing each other from Yu Hill and Wu Hill (the "Three Hills and Two Pagodas" layout of the old city)

Visitor info

Opening hours
All day
Ticket
Wuta free (exterior)

Price is indicative — final quote on inquiry.

The Tang-era "Jingguang Pagoda" (Wuta, stone octagonal seven-story) and Dingguang Pagoda (Baita, brick-built), Fuzhou's "Two Pagodas" landmarks facing each other from Yu Hill and Wu Hill (the "Three Hills and Two Pagodas" layout of the old city). Physical markers of old Fuzhou's "Three Hills, Two Pagodas, One Street" layout: Wuta stands at the foot of Wushi Hill (Black Stone Hill), rebuilt by Wang Shenzhi of the Five Dynasties period on the site of the Tang Jingguang Pagoda; built of granite in an octagonal seven-story form, its dark stone all over gave it the name "Black Pagoda". Baita is the Dingguang Pagoda, brick-built with a white-lime finish, facing Wuta across the city. One black and one white, one on a hill and one in a temple, the two pagodas form the traditional framework of old Fuzhou's skyline; at dusk, their twin silhouettes meet the roof ridges of the Three Lanes and Seven Alleys (Sanfang Qixiang) — a classic Fuzhou photograph. Viewing around Wuta is free, and climbing Wushi Hill offers a panorama of the whole city.

Getting there: foot of Wushi Hill

Photos

Wuta (Black Pagoda) · Baita (White Pagoda) — photo 2Wuta (Black Pagoda) · Baita (White Pagoda) — photo 3Wuta (Black Pagoda) · Baita (White Pagoda) — photo 4

More in Fuzhou

  • Three Lanes and Seven Alleys (Sanfang Qixiang)

    "Museum of Ming and Qing architecture"—China's largest and best-preserved historic and cultural district: Yijin Fang / Wenru Fang / Guanglu Fang + Yangqiao Alley / Langguan Alley / Ta Alley / Huang Alley / Anmin Alley / Gong Alley / Jibi Alley

  • Former Residence of Lin Juemin and Bing Xin

    One courtyard, two famous figures ('Letter to My Wife' was written here)

  • Former Residence of Yan Fu

    Late-life home of Yan Fu, translator of 'Evolution and Ethics' (a Qing-dynasty flower hall), with displays of his "natural selection" manuscripts

  • Water Pavilion Stage

    A water stage in a private mansion built in the Ming Wanli era (Fuzhou's only surviving private water stage); Min opera / pingshu storytelling performances

  • Nanhou Street (South Back Street)

    The "central axis of lane culture," with time-honored shops for Shoushan stone carving, oil-paper umbrellas, and bodiless lacquerware; a chinaberry-tree streetscape

  • Yantai Hill Historic District

    A consular district of 17 nations after Fuzhou opened as a treaty port in 1844 (a "museum of international architecture"); Cangshan's old Western houses (Shicuo Church / former US Consulate site); artsy boutiques and coffee lanes (Librairie Avant-Garde at 2 Aiguo Road)