Yushan · Wushan
Two hill cultural parks: Yushan (White Pagoda / Qi Gong Shrine honoring Qi Jiguang / Dashi Hall), Wushan (Black Pagoda / cliff inscriptions of Zeng Gong's 'Record of Daoshan Pavilion')
Visitor info
- Opening hours
- Open all day
- Ticket
- Free
Price is indicative — final quote on inquiry.
Two hill cultural parks: Yushan (White Pagoda / Qi Gong Shrine honoring Qi Jiguang / Dashi Hall), Wushan (Black Pagoda / cliff inscriptions of Zeng Gong's 'Record of Daoshan Pavilion'). Two of the 'three hills' of old Fuzhou, these downtown hills are free, open-access cultural parks: on Yushan's summit the White Pagoda stands beside Dingguang Temple, mid-slope the Qi Gong Shrine commemorates the anti-pirate general Qi Jiguang, and Dashi Hall was the former command post of the Fuzhou uprising in the 1911 Xinhai Revolution; Wushan's cliff inscriptions are unmatched in the Banyan City — this is the mountain extolled in Zeng Gong's famous 'Record of the Daoshan Pavilion', with over 300 inscription panels across its rock faces, among which the seal-script 'Banruo (Prajna) Terrace' is an authentic work by Tang calligrapher Li Yangbing. The two hills face each other east and west, and climbing either gives a sweeping view over the roofs of the Three Lanes and Seven Alleys; free cultural high points amid the bustle, the two hills can be walked together in half a day.
Getting there: City center
Photos


More in Fuzhou
- Three Lanes and Seven Alleys (Sanfang Qixiang)
"Museum of Ming and Qing architecture"—China's largest and best-preserved historic and cultural district: Yijin Fang / Wenru Fang / Guanglu Fang + Yangqiao Alley / Langguan Alley / Ta Alley / Huang Alley / Anmin Alley / Gong Alley / Jibi Alley
- Former Residence of Lin Juemin and Bing Xin
One courtyard, two famous figures ('Letter to My Wife' was written here)
- Former Residence of Yan Fu
Late-life home of Yan Fu, translator of 'Evolution and Ethics' (a Qing-dynasty flower hall), with displays of his "natural selection" manuscripts
- Water Pavilion Stage
A water stage in a private mansion built in the Ming Wanli era (Fuzhou's only surviving private water stage); Min opera / pingshu storytelling performances
- Nanhou Street (South Back Street)
The "central axis of lane culture," with time-honored shops for Shoushan stone carving, oil-paper umbrellas, and bodiless lacquerware; a chinaberry-tree streetscape
- Wuta (Black Pagoda) · Baita (White Pagoda)
The Tang-era "Jingguang Pagoda" (Wuta, stone octagonal seven-story) and Dingguang Pagoda (Baita, brick-built), Fuzhou's "Two Pagodas" landmarks facing each other from Yu Hill and Wu Hill (the "Three Hills and Two Pagodas" layout of the old city)